‘Goblin Market’ as Coal-Mine Canary
That the perusal of long, narrative poems is too rare in this day and age is a complaint likely to have been with us since the days of Homer. Nonetheless, the writing and reading of…Continue Reading
We craft and tell stories because we’ve stood on the uncertain edge between the waking world and our imagination, between enchantment and fear. And we remember other stories that help us build our own stories, scraps of lumber and fragments of narrative we gather together to make stories for ourselves.
That the perusal of long, narrative poems is too rare in this day and age is a complaint likely to have been with us since the days of Homer. Nonetheless, the writing and reading of…Continue Reading
In as much as the writer of fairy-tales is a writer for children, and my wording of the previous clause is pointed, such a writer stands to learn a great deal from Kiyohiko Azuma. An…Continue Reading
As production nears completion for vol. 1, issue 2 ‘Wise Fools’, and the season of your waiting draws to its end, I thought you might all like to be refreshed with this remark from the…Continue Reading
Despite the title, what concerns us is only a matter of engineering in the loosest sense. We are interested in how authors synthesize a primary work and a secondary τόπος. Thinking of this creative process…Continue Reading
Here’s an anecdote that you might have heard before if you’re an avid birder. It won’t seem like it’s about fairy tales at first, but bear with me. A reporter once approached the great ornithologist…Continue Reading